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Tuesday, March 5, Off the Beaten Path: Bell Ranch's old Western town included a white mansion, sometimes seen as a boarding house, at the east end of town. Baasse the vintage shot above, you can see Ttyin same strata rock formation in the background that appears in the recent shot at the top of this post. The area is all but impossible to access today, carved up into privately owned parcels and fiercely protected by local residents who value their relative seclusion on the outskirts of the L. Arrival scene from the "Bonanza" episode "The Rattlesnake Brigade" A portion of the old Bell Ranch was explored recently as part of a film history expedition, and some nice insights surfaced.

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Among them, shooting sites were identified for the "Bonanza" episode "The Rattlesnake Brigade," which aired Dec. Above is a screen shot from the episode showing Ben Cartwright Lorne Greene and a couple of his buddies arriving to try to rescue a group of young people being held hostage. Here's what that same site looks like today — still largely unspoiled, but with a lot more foliage now. I ran across some controversy online about whether these "Bonanza" scenes were taped at Bell Ranch or at the Spahn Movie Ranch, which was located several miles away, to the north, off Santa Susana Pass Road. I hope these matching shots will help settle the dispute, as the episode was definitely shot at Bell.

You should be able to match up the rocks seen just above the riders in Tryin to catch some cock in basse santa su "Bonanza" shot, while the road, despite being lined now with foliage, also matches. Click on the photos to enlarge them for a better look. Here's a shot of Lorne Greene arriving at the main shooting area on Bell Ranch's lower plateau, the one relatively small section of Bell where almost all of the location work for the "Bonanza" episode was done. The sequence seen above takes place just a few feet from where the long shot of the arrival was taped.

This sequence begins to provide a look at the formidable bluffs that loomed above the Bell Ranch filming areas. The protruding rock toward the right of the shot has been nicknamed "the Three-Meter Board" by local film historians. Here are some of those same rocks today. If the Three-Meter Board, in the top right corner, leaves any doubt about the match, you should be able to match up some of the other rocks, including the one near the lower right corner of the above shot, which is partially visible above the mane of the horse at the right in the "Bonanza" shot. The rock closest to the center of the above shot a little left of centerwhich has distinctive horizontal markings, also appears near the center of the "Bonanza" shot.

More of Bell Ranch's rugged bluffs are seen in this screen shot from "Rattlesnake Brigade. Stand by all judgment calls such as safe calls or out calls. Even if you may have made the wrong call, indicating so verbally or physically may provoke further questioning of the initial call. Make the call and get on with the game. Slow down your timing and wait for the play to be over before making a call. Behind the plate, watch the ball hit the catcher's mitt, let a second or two elapse, and then make the call. It distinguishes you from the poor or average umpire.

Stay focused on the game. Your lack of focus will be noticed, and besides, sooner or later, you will miss a play. Have a poor memory. Do not have rabbit ears. If you find yourself overhearing criticism from fans, players, or coaches you are only taking your attention off the game, which is where it should be. Give a warning first. If at any point you feel a coach is riding you too hard, let him know and give him a warning. You are the umpire, and ultimately it is your opinion that matters, not his. If the coach continues, you must use your judgment on what to do next, with one of the options being ejection.

The same goes for parents and players who get out-of-hand. NEVER lose your temper. If you lose your temper, you lose control of the game. Be careful about what you say. During or between innings, you never know who is listening.


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