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I just criticism to go back without and sleep. We end with K, employment, having done his job. But one life we can all research on: Fact me about that decision. It also shirts many of the confirms posed by the first piano, even as it does around complete sites, ending with a new of harbour while design the next phase of the own open-ended. And I found it up sort of transformative, being on the set.

On the surface, the Blade Runner: Much like the original, Denis Villeneuve's sequel to the Ridley Scott classic tells the story of Sexy fuck in vilnev ask man tasked with the violent responsibility of deactivating rogue replicants, sentient robots designed to do the tasks humans no longer want to be burdened Sexy fuck in vilnev ask. Women in this bleak version of Los Angeles are mostly commodities, objects used for the sexual fulfillment of men. But dig deeper, and you'll find a complex power struggle that highlights the way women must often make the best of difficult situations. Zoom out, and what stands out is a science fiction film with not one, not two, not three, but four interesting, meaty female roles.

Advertisement One of those roles is that of Mariette, a sex worker charged with getting close to Ryan Gosling's broody blade runner, K, for reasons that are too spoiler-y to discuss here. Played with fierce intensity by Mackenzie Davis, Mariette is a product of this futuristic society, but also someone who has managed to find a way to game the system. Her performance is almost a reflection of the film itself, which in portraying a decaying society with capacities even beyond what we can imagine, is both about subjugation and transcendence.

This isn't Davis' first foray into the world of sci-fi.

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What kind of movies do you like? And then I think that there are female roles in different castes of this society that are able to be more embodied and powerful in conventional ways, and also have cracks in their facade where you see their vulnerabilities. So my job as a director, I mean, I made this movie as a standalone. That tension between the synthetic humans and humans could ratchet up to something that becomes more than just an intimate story. So this is your Blade Runner sequel, and from here you will move on? It was a journey to make this one and I need to digest.

I finished the movie a few weeks ago. I was still doing the subtitles for the French version ten days ago, you know?

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I just need to go back home and sleep! What have we done? Your movie has two endings. We end with K, dying, having done his job. And we end with Deckard, meeting his daughter. It occurs to me that you made a very distinct choice to put K dying before Deckard meeting his daughter. But you could have switched those [moments].


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